The VA - XLO - Reference Recordings - Test & Burn-In CD (Special 24K GOLD, 1995) Go to product viewer dialog for this item.
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Co-inventor of HDCD and an audio engineer, ensuring that every track was recorded with extreme fidelity. Core Features and Functions
| Track | Title | Primary Artist(s) / Ensemble | Purpose | |:---:|---|---|:---:| | 10 | Mono, In-Phase | Unknown | A mono recording to confirm center-fill image after setup. | | 11 | Mono, Out-Of-Phase | Unknown | Mono signal out of phase, should sound diffuse with no stable center. | | 12 | Stereo, Out of Absolute Phase | Unknown | Stereo recording with inverted absolute phase, sounds "thin" and less focused. | | 13 | "Stormy Weather" | Eileen Farrell (vocalist), Loonix McGlohon (arranger) | A jazz vocal standard; tests vocal presence, midrange purity, and emotional delivery. | | 14 | "Shiny Stockings" | Bob Lark / DePaul University Jazz Ensemble I | A big-band jazz track; tests rhythm, dynamics, and the ability to handle complex brass passages. | | 15 | Morton Gould: Derivations, "Rag" Movement | John Bruce Yeh (clarinet) / DePaul University Jazz Ensemble I | A modern classical piece; tests clarinet timbre, articulation, and instrumental separation. | | 16 | Janacek: Sinfonietta, "The Queen's Monastery" | Jose Serebrier / Czech State Philharmonic | Orchestral excerpt; tests soundstage depth, width, and accurate timbre of orchestral instruments. | | 17 | Franz Biebl: "Ave Maria" | Timothy Seelig / The Turtle Creek Chorale | A choral piece; tests spatial resolution, hall ambience, and the ability to separate individual voices within a choir. | | 18 | Weinberger: "Polka and Fugue" | Frederick Fennell / Dallas Wind Symphony | A massive, dynamic work for wind symphony; the ultimate stress test for dynamic range, bass impact, and transient speed. |
This is a story told from the intersection of audiophile fetish, analog nostalgia, and the early days of lossless digital music distribution. Behind those stacked words lives a small, obsessive world where cables are sacraments, playback rigs are laboratories, and a shiny disc can be treated like a relic.
The 1995 release of this CD fueled the "Burn-In Wars"—a debate that continues to this day. Skeptics argue that "burn-in" is purely psychoacoustic (the listener getting used to the sound), while believers point to measurable changes in the dielectric absorption of cable insulation and the relaxation of driver surrounds.
XLO, founded by Roger Skoff in 1991, was a pioneering company in the field of high-performance cables and interconnects, known for a science-based, evidence-driven approach. Reference Recordings, on the other hand, was celebrated worldwide for its exceptionally natural and dynamic recordings, masterminded by the legendary audio engineer and "Professor" , the co-inventor of High Definition Compatible Digital (HDCD).
(1995) is a renowned audiophile tool designed by XLO Electric 's Roger Skoff and audio guru "Prof." Keith O. Johnson. This 24K Gold edition (Ref. RX-1000) is specifically engineered for system setup, fine-tuning, and component maintenance using high-fidelity (lossless) audio quality. Core Technical Functions
Your keyword includes the important designation "FLAC," which is significant for modern audiophiles. The disc is, of course, a standard 16-bit, 44.1kHz Red Book CD. For the contemporary listener, the availability of this disc as a rip is a gift. It allows the user to access the full, uncompromised resolution of the original HDCD Gold CD without needing a physical copy or a vintage CD player. A user on the Head-Fi forums confirmed that an iPod or other portable player can easily handle the 16/44 resolution of the FLAC files, putting the power of the “Burn-In Supreme Golden Nest” in your pocket.
A specialized signal designed to break in new cables and components rapidly, reducing the time required to achieve optimal sound. 3. Musical "Reference" Tracks
Your current (e.g., Foobar2000, Roon, Audirvana) The DAC or amplifier you are outputting to
The first half of the disc provides step-by-step guidance to ensure your hardware is operating in perfect harmony with your listening environment.

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