The Excitement Of The Do Re Mi Fa Girl -1985 - ... Jun 2026

The Absurdist Plot: From Countryside Naivety to Academic Anarchy

It is important to clarify that a widely recognized specific film, song, or literary work titled The Excitement of the Do Re Mi Fa Girl from 1985 does not exist in mainstream global or major Asian (Japanese, Korean, Chinese) archival databases. It is highly likely this is either a forgotten B-movie, a localized re-title of a foreign film, or a conceptual metaphor.

(originally titled Do-re-mi-fa musume no chi wa sawagu and also known as Bumpkin Soup ) is a landmark 1985 Japanese musical comedy that marked the definitive turning point in the early career of master director Kiyoshi Kurosawa . Initially conceptualized within Japan's famous pinku eiga (pink film) or softcore erotic industry, the movie famously broke all conventional genre boundaries to become a playful, avant-garde satire on student life, academic absurdity, and the changing landscape of 1980s Tokyo. Released on November 3, 1985 , by the groundbreaking independent collective Director’s Company , this low-budget gem remains an essential time capsule of Japanese New Wave cinema.

She grabbed Yoshi’s hand and dashed into the hallway. The university had transformed. The stern portraits of former deans were vibrating in their frames. Students in the courtyard weren't walking; they were moving in synchronized, jagged bursts of jazz-ercise choreography.

For fans of Kurosawa, this film offers a glimpse into a more playful, absurdist side of a filmmaker now known for his dark atmospheric tension, proving that even early in his career, he was crafting something uniquely cinematic. If you are interested in exploring more of this era, I can: The Excitement of the Do Re Mi Fa Girl -1985 - ...

The narrative strictly avoids standard linear storytelling, functioning instead as a dreamlike picaresque through an increasingly chaotic university campus.

division for "not being lascivious enough". Kurosawa eventually re-shot and re-edited it into the version known today. Detailed retrospectives on this transition can be found in Jerry White's book, The Films of Kiyoshi Kurosawa: Master of Fear Midnight Eye

The enthusiasm surrounding this lost film is not about plot, but texture.

: Students constantly chasing aimless carnal fulfillment. The Absurdist Plot: From Countryside Naivety to Academic

In the middle of this chaos is the film's most eccentric figure, (played by legendary actor-director Jûzô Itami ). The professor is obsessed with a bizarre "Theory of Shame," and he sees Akiko as a perfect test subject for his psychological experiments, which involve strange robotic devices.

: She encounters Professor Hirayama (played by Juzo Itami ), a psychology professor obsessed with developing a "theory of shame" .

Decades later, the echo of the Do Re Mi Fa Girl can still be heard. In an era where the world feels complicated and grey, the simplicity of 1985 offers a refuge. The "Excitement" remains frozen in time, preserved on vinyl and nostalgic compilation videos.

Following a naive country girl’s journey into the big city. The university had transformed

The tape contains a single drum machine pattern and a bassline. Using the four notes (Do, Re, Mi, Fa), she begins to "hack" the city’s ambient noise. Every time she hums the ascending scale, a fluorescent light flickers; a subway door opens; a rival gang of punk rockers falls silent. The excitement here is visceral—it is the first time silence is weaponized against the noise of economic boom.

(originally titled Do-re-mi-fa-musume no chi wa sawagu , and alternatively known as Bumpkin Soup ) is a landmark 1985 Japanese avant-garde comedy directed by the legendary horror maestro Kiyoshi Kurosawa . Released on November 3, 1985, this film represents a fascinating, highly eccentric transitional point in Japanese cinema. It subverted the commercial constraints of the era's erotic pinku genre into a deconstructive, Godardian satire of modern youth, intellectualism, and sexuality. Co-written by Kurosawa and Kunitoshi Manda, the film captures the bizarre, aimless energy of mid-1980s Tokyo college life through an unforgettable blend of musical numbers, psychological experiments, and absurdist humor.

The Excitement of the Do-Re-Mi-Fa Girl (1985), also known as Bumpkin Soup , is a surrealist musical comedy directed by . Originally intended as a "pink film" (softcore erotic cinema) for Nikkatsu, it was rejected for being "too weird" and eventually released by the Director's Company after Kurosawa re-shot and re-edited major portions. Plot Overview

The 1980s was a decade that gave us some of the most iconic and memorable music, movies, and TV shows of all time. And one of the most beloved and enduring characters of that era is the Do Re Mi Fa Girl!