Satyajit Ray Collection All Movies Shortfilm File

A groundbreaking debut capturing rural Bengali life with lyrical neorealism.

A moving short documentary about Benode Behari Mukherjee, a blind painter and Ray’s former teacher.

: A poignant 26-minute short about a child navigating a day of adult complications and infidelity.

Made after Ray suffered severe health setbacks, these films are more dialogue-heavy, shot primarily indoors, and carry the philosophical weight of a master reflecting on human decay and integrity. satyajit ray collection all movies shortfilm

A haunting study of an aristocrat clinging to his pride amidst fading wealth.

Ray’s first original screenplay and first color film. A narrative told in real-time about an upper-class family unraveling during a vacation in the Himalayas.

| | Original Title | English Title | Brief Description | | :--- | :--- | :--- | :--- | | 1955 | Pather Panchali | Song of the Little Road | The first film of the acclaimed Apu Trilogy. It's a poignant portrayal of childhood and poverty in rural Bengal. | | 1956 | Aparajito | The Unvanquished | The second part of the Apu Trilogy follows Apu's journey as he grows up and moves to the city for education. | | 1958 | Parash Pathar | The Philosopher's Stone | A unique social satire about a clerk who comes into possession of a stone that turns iron into gold. | | 1958 | Jalsaghar | The Music Room | A powerful study of a zamindar (landlord) who clings to the fading glory of his past through lavish musical soirees. | | 1959 | Apur Sansar | The World of Apu | The concluding part of the Apu Trilogy. It follows Apu as he faces the responsibilities of adulthood and family. | | 1960 | Devi | The Goddess | A searing critique of religious superstition and patriarchy, focusing on a young woman who is deified as a goddess by her father-in-law. | | 1961 | Teen Kanya | Three Daughters | An anthology film of three short stories by Rabindranath Tagore: The Postmaster , Monihara (The Lost Jewels), and Samapti (The Conclusion). | | 1961 | Rabindranath Tagore | - | A documentary commissioned to celebrate the birth centenary of the poet Rabindranath Tagore. | | 1962 | Kanchenjungha | Kanchenjungha | Ray's first original screenplay and first film in colour, unfolding in real-time against the backdrop of the Himalayan mountain. | | 1962 | Abhijan | The Expedition | A gritty story of a proud taxi driver navigating his own moral compass and redemption. | | 1963 | Mahanagar | The Big City | A landmark film about a middle-class housewife who takes a job, exploring the changing dynamics of women in the urban workforce. | | 1964 | Charulata | The Lonely Wife | Based on Tagore's novella, this is often considered Ray's finest work, a delicate study of a woman's intellectual and emotional awakening. | | 1964 | Two | - | A short, wordless film that serves as a powerful allegory for the Cold War, showing a clash between a boy and his toys. | | 1965 | Kapurush-o-Mahapurush | The Coward and the Holy Man | Two contrasting stories: one about a man confronting his past love, and another a satire of a fake holy man. | | 1966 | Nayak | The Hero | A character study of a popular film star, explored almost entirely during a single train journey. | | 1967 | Chiriyakhana | The Zoo | A rare detective thriller featuring Ray's famous sleuth, Prodosh C. Mitter (Feluda). | | 1969 | Goopy Gyne Bagha Byne | The Adventures of Goopy and Bagha | A beloved children's fantasy musical about two simple men who are granted magical boons by the King of Ghosts. | | 1970 | Aranyer Din Ratri | Days and Nights in the Forest | Four urbane friends from the city go on a forest vacation, leading to confrontations with their own hypocrisies and an encounter with a tribal woman. | | 1970 | Pratidwandi | The Adversary | The first film of the "Calcutta Trilogy," following a young man frustrated by unemployment and the political unrest in 1970s Calcutta. | | 1971 | Seemabaddha | Company Limited | The second part of the "Calcutta Trilogy," a sharp critique of corporate ambition and the moral compromises it demands. | | 1972 | The Inner Eye | - | A documentary portrait of the brilliant blind painter Benode Behari Mukherjee. | | 1973 | Ashani Sanket | Distant Thunder | Set during the Bengal famine of 1943, the film shows how an idyllic rural community gradually disintegrates. | | 1974 | Sonar Kella | The Fortress of Gold | A delightful adventure film based on Ray's own stories, featuring the iconic detective Feluda. | | 1975 | Jana Aranya | The Middleman | The concluding film of the "Calcutta Trilogy," a dark and cynical look at the corruption of youth. | | 1976 | Bala | - | A documentary short exploring the life and art of the legendary Bharatanatyam dancer Balasaraswati. | | 1977 | Shatranj Ke Khilari | The Chess Players | A period drama set during the British annexation of Awadh, following two aristocrats obsessed with chess while their kingdom collapses. | | 1979 | Joi Baba Felunath | The Elephant God | A second Feluda mystery, set in the holy city of Varanasi, where the detective searches for a stolen idol. | | 1980 | Hirak Rajar Deshe | The Kingdom of Diamonds | A sequel to Goopy Gyne Bagha Byne , this is a pointed political satire disguised as a children's fantasy. | | 1980 | Pikoo | - | A short film that offers a heartbreaking glimpse into a day in the life of a six-year-old boy. | | 1981 | Sadgati | Deliverance | A powerful and grim television film based on a story by Munshi Premchand, highlighting the cruelty of the caste system. | | 1984 | Ghare Baire | The Home and the World | An adaptation of Tagore's novel, contrasting the ideals of nationalism and Western progress. | | 1987 | Sukumar Ray | - | A documentary tribute to Ray's father, the revered Bengali poet and nonsense-verse writer Sukumar Ray. | | 1990 | Ganashatru | An Enemy of the People | An adaptation of Ibsen's play, updated to an Indian context about a doctor who discovers his town's holy water is polluted. | | 1990 | Shakha Proshakha | The Branches of the Tree | A family drama about an elderly man whose sons turn out to be corrupt, questioning the values of modern Indian society. | | 1991 | Agantuk | The Stranger | Ray's final film, a philosophical meditation on civilization, materialism, and the meaning of life itself. | A groundbreaking debut capturing rural Bengali life with

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Building a Satyajit Ray viewing collection requires looking at high-quality restoration projects. The Criterion Collection

Continues Apu's journey into adulthood.

Between 1955 and 1991, Satyajit Ray directed a total of . This complete collection is composed of 29 feature films , five documentaries , and two short films . While many are familiar with his iconic feature films, his shorter works are equally essential to understanding his artistic range and social commentary.

Ray was a polymath who composed his own music and wrote popular fiction. This side of his personality shines in his more whimsical works.