Can - Future Days -1973- Remaster -2005- Flac -... -
For decades, early digital pressings of Can’s catalog suffered from flat dynamics and muddy sound stages, largely due to the primitive analog-to-digital transfer technologies of the 1980s. In 2004 and 2005, Spoon Records—managed by the band members and their families—undertook a massive remastering project.
CAN, short for Computer Art Laboratories, was a highly influential German experimental rock band formed in 1968 in Cologne. The band's music is characterized by its fusion of psychedelic rock, krautrock, electronic music, and avant-garde sounds. One of their most critically acclaimed albums, "Future Days," was released in 1973. This report provides an overview of the album, its significance, and details about the 2005 remastered version in FLAC format.
By 1973, Can had thoroughly dismantled the traditional structures of Anglo-American rock and roll. Rooted in the avant-garde teachings of Karlheinz Stockhausen and driven by the metronomic, "half-man, half-machine" drumming of Jaki Liebezeit, the band operated as a singular telepathic organism. CAN - Future Days -1973- Remaster -2005- FLAC -...
The was a significant event for CAN enthusiasts, curated to bring out the dynamic range of the original masters.
Reviewers on Amazon and Prog Archives note the vast, 3D soundstage and the ability to listen at high volumes without the "harshness" found in standard digital pressings. For decades, early digital pressings of Can’s catalog
The soundstage was dramatically widened. Listeners can pinpoint exactly where Jaki’s congas sit relative to Karoli’s multi-tracked guitars.
Decades later, Future Days stands as a towering achievement. Its DNA is baked into the foundation of ambient music (Brian Eno frequently cited Can as a massive influence), post-rock, shoegaze, and electronic dance music. It remains a timeless document of a band operating at the absolute peak of their creative powers, stepping boldly into the future and inviting us to share in their radiant vision. The band's music is characterized by its fusion
The "airy," "oceanic" feeling of the album is lost in compressed audio. FLAC allows the spatial dynamics of the "Bel Air" soundscape to fully immerse the listener. 5. Conclusion: A Timeless Masterpiece
By the summer of 1973, CAN—comprising keyboardist Irmin Schmidt, drummer Jaki Liebezeit, guitarist Michael Karoli, bassist Holger Czukay, and vocalist Damo Suzuki—had abandoned the claustrophobic, urban grit of their earlier work. Recording in their legendary Inner Space Studio, a converted cinema in Weilerswist near Cologne, the band allowed the humid, pastoral warmth of the season to seep directly into their tape machines.
The album consists of four expansive tracks, totaling approximately 41 minutes:
Future Days was the final album featuring the legendary lineup of (vocals), Holger Czukay (bass), Michael Karoli (guitar), Jaki Liebezeit (drums), and Irmin Schmidt (keyboards).